After a busy week of formalities and paperwork, punctuated by multiple vinous send-offs, I am now slowly settling back in my hometown of Saint-Claude in France’s Jura region (near Switzerland). Looking through pictures and tasting notes for the wines we had over the last week, I must say that everyone in Frankfurt went all out in making sure that my final impression of Germany was a great one! Thanks everybody!
With my bags packed and a last minute dinner planned to empty the fridge (and the wine cabinet), I invited my buddy Alex who stayed true to his Blind Tasting Club wine blog theme by presenting a couple anonymous bottles, as well as a few other interesting wines to send me off in style.
Check out Alex’s take on the evening. Towards the 6th or 7th bottle, we decided we would create a diaBlog (as in a dialog via our blogs), so check out his vimpressions in italics below!
We started the evening off with a couple old bottles: a 1959 Inglenook from Napa Valley RIESLING, which Alex had found on Ebay for a bargain price, and a 1986 Lacoste-Borie, the second wine from Pauillac’s Grand Puy-Lacoste, a well regarded Bordeaux Grand Cru estate.
1959 INGLENOOK – Napa Valley RIESLING – WINE LABEL
The ancient Riesling from a legendary vintage was still alive, with fresh pineapple and some apricot notes underneath a very distinct aroma of…. what is that?! It was something I knew, and yet could not place. Alex mentioned shoe polish, and it may have been along those lines, but I just couldn’t figure out where I had experienced it myself (my shoes not necessarily being the most shiny).
I completely agree with Alex that the wine was still very drinkable and “fresh” for its age. He’s definitely an expert at digging up these unexpected gems!
El Coto Rioja Crianza 2011
The Crianza was everything I expected from this often overlooked vintage: mature aromas (leather, dead leaves..) with a hint of fruit and a soft, almost soothing feel which put me at ease. It wasn’t too full, but not thin either, although it was definitely time to open this bottle. Overall, I was pleased that the wine was still alive, and enjoyed the classic mature Crianza experience at a relatively low price (around 30 euros at a small wine shop in Mannheim).
While I didn’t necessarily find it as stinky as Alex did, I was equally impressed with the wine‘s longevity considering it is only a second wine.
Both wines showed that it’s possible to reveal memories of a distant past without spending a fortune, while creating new memories for the future.
The (Bio)dynamic duo
The next two red wines were served blind (with a quick Riesling break in between), and it turns out that both are the product of biodynamics, showing both the ups and downs of this natural farming method.
Santa Cristina Toscana 2013
On the up-side, there was the Santa Cristina Toscana 2013, from the first vintage where the vineyards were conducted entirely in biodymamics. It seems that they cracked in 2007 under pressure of rot, but that they have since gone back to the natural methods. This is an extremely acclaimed wine, which has gained a lot of attention in the past few years, propelling the estate to the top of the unofficial Bordeaux hierarchy.
The wine was full of ripe fruit, with sweet banana/coconut aromas from the oak aging (?) which still requires some time to integrate, even though this bottle was decanted earlier. While the nose had me thinking of a new world Toscana, the impression of freshness which it left and the impressive structure was, on second thought, clearly old world, although not necessarily “classic” Bordeaux. In any case, this wine needs time, although it was already quite enjoyable; a trademark of the ’05 vintage.
I tend to agree with Alex that the ripe banana, which is usually something I associate with American oak in Bourbon for example, is probably a product of the aging process, but the very youthful fruit almost had me thinking of Nouveau wine… hence the insolent question mark In any case, I’d love to try another bottle in another decade or so!!
The Les Balisiers 2008 “Lune Rousse”, a Gamaret* from the Swiss Geneva region, was clearly a disappointment however. The barnyard smell and rustic texture was quite unpleasant and we only ended up having the one glass each. The wine was partially aged in clay amphora, and I’ve had marvelous wines made in this way before, but I’m just not sure the Gamaret grape is really all that great on its own.
Unfortunately, I didn’t get a chance to try this Gamaret the next day. Alex says it completely opened up and gained in silkiness and fruit.
We finished the night with a series of German Riesling from well regarded producers in the Nahe and Rheingau regions. I’ve definitely enjoyed learning more about these fabulous wines during my year in Germany, and tasting some phenomenal whites by authentic, passionate winemakers. Unfortunately, they can be hard to find in the rest of Europe, particularly in France, but that just means I’ll have to make trips back and enjoy the beautiful scenery along with the wines.
Alsace Pfaff Gewurztraminer
Christophe Dalbray Collection Priveé (Red)
Christophe Dalbray Collection Priveé (Red) 750ml
All three wines were Prädikatswein**, with some remaining natural sweetness, but they exhibited their sugars very differently. While the Alsace Pfaff Gewurztraminer was supposedly at the “lower” Kabinett level, it was the roundest, most charming wine with a definite off-dry feel. The more mature Christophe Dalbray Collection Priveé, had already integrated its sweetness, showing instead a more elegant profile, perhaps even slightly lacking in fullness (maybe because of the average vintage?). But the 2006 Schäfer-Fröhlich was probably the wine of the night for me. It had the intense fruit explosion of the Künstler, while providing a mouth watering acidity which balanced out the sugar and just kept me wanting for more… and to me, that’s what German Riesling is all about! Good thing I brought back a couple souvenirs…
I think Alex says it best when he describes the Diel as lacking in personality, mostly because of the overly-soft acidity. His assessment of the “exotic” Künstler is right on, but I suppose that I was hoping for a more chiseled acidity rather than the more “elegant style”. But that’s just my own masochistic preferences influencing my expectations We definitely saw eye to eye on the Schäfer-Fröhlich though, even if he preferred the red of the night: Pontet-Canet. I think I was more touched by the fact that my “German chapter” was coming to an end.. and the fact that I was possibly more enthusiastic, it being the last bottle of a long night of drinking!
*Gamaret is a grape which was engineered in Switzerland by crossing the Gamay variety with Rechensteiner, which is itself a little grown German crossbreed. Gamaret was primarily developed to add color to the Swiss Pinot Noir or Gamay wines, although more and more, it is bottled as a monovarietal.
**Prädikatswein is a German wine classification which is based on the amount of natural sugar present in the grape at the time of harvest. From least to highest, these categories are: Kabinett, Spätlese, Auslese, Beerenauslese, Trockenbeerenauslese and Eiswein. While the first three can be made into a dry or off-dry style, the dry wines will usually be labeled as trocken.